I managed to turn up late for Ron Skinner’s funeral and also had to go out before the ceremony finished as I wasn’t feeling too good. I managed to recover quite easily after going to the Catford Ram for the post-ceremony get-together, which was well attended. Tributes were paid By Mel Wright and Wolfie Witcher from the blues side of his life. Continue reading
I just heard from Mel Wright that Ron Skinner, the original Shakey Vick Big City Blues Band bass player and vocalist has died. He was awaiting treatment for cancer but was too weak to receive any therapy. Ron was always a keen bluesman rather than a rock bluesman and it’s ironic that the recently released “Live at 100 Club” album includes him on it, with an amalgam of a couple of his old bands which we called The Blueshawks for that occasion.. Continue reading
Met Mel Wright for a drink at the Blue Boar just behind the 100 Club the other day and took delivery of the live recording Cd’s “!00 Club Boogie.” I guess I’ll have to put it on the recordings page and perhaps in the pictures section too. As it was recorded about twenty years ago I used an older picture of me on the cover. I’ve used it before on the “Night After Night” album and it reminds me of when my hair had more colour and less grey. We will officially launch it on April 9th.
We won’t be doing the gig at the Inn on the Green this month as things are up in the air at the moment as I mentioned earlier. It’s one of those things that happen to musicians at any time so I should be resigned to it by now, but I have to say the whole music scene is depressing right now, as far as I’m concerned. Nobody supports live music in small venues the way they used to. Continue reading
Mel Wright and I, with the sterling assistance of Tony Ellis, have finalised the artwork for the forthcoming cd: Shakey Vick & The Blueshawks “100 Club Boogie”, the live recording we did at the 100 Club, twenty years ago. I’ve said this quite a few times before, but it should be out soon. Continue reading
Yesterday I met up again with drummer Mel Wright, (who also penned the “Les Enfants Terrible” piece on this site), to discuss the finalisation of the artwork for the forthcoming album. The one recorded live at 100 Club twenty years ago and which I’ve been rabbiting on about for some time now, and is unsurprisingly titled 100 Club Boogie. We had a pretty good meeting although it only took two pints each. It was at the Blue Post pub, just around the corner from the club. Continue reading